About the Artist

Art has always been my compass, guiding me through the complexities of life and allowing me to explore the uncharted territories of human emotion, identity, and connection. Through each piece I create, I strive to translate the intangible—memories, feelings, and fleeting moments—into tactile expressions that invite the viewer into a shared narrative.
My journey as an artist began during my formative years, but it was refined and nurtured through academic exploration. I obtained a Bachelor of Fine Arts from Kansas State University, with a concentration in graphic design. During this period, I delved deeply into color theory, compositional techniques, and art history, all of which continue to influence my artistic practice today. Subsequently, I earned a Master of Arts in Organization Learning and Instructional Technologies, at the University of New Mexico, broadening my scope to include adult learning within both governmental and private sectors.
My career has encompassed a diverse array of creative projects and significant achievements. I began as a graphic designer at various advertising agencies, where I explored and utilized cutting-edge technologies. Additionally, I invested numerous years developing online instructional training for both government and private entities. Throughout various stages of my life—raising children, building a career, and pursuing advanced education—I have always aspired to dedicate myself to my artistic endeavors in later years. Having now reached this point in my life, I am fully committed to advancing this artistic venture.
At the heart of my practice lies an enduring curiosity about the human spirit and its relationship with the surrounding world. My work explores the tension between antiquity and futurism, sacredness and violence, femininity and power. I draw inspiration from the opulence of Byzantine iconography and the ornamental decadence of Gustav Klimt, reinterpreting classical narratives through a contemporary, often speculative lens. Together, these paintings reflect my fascination with how women are mythologized—as destroyers, protectors, or vessels of meaning—and how visual storytelling can reclaim that gaze.